Glory in a Line - A Life of Foujita--the Artist Caught Between East

Artist Frances Gage, born in 1924 in Windsor, experienced both artistic recognition and acute despair in her life, yet she flourished in her work and as part of the contemporary Toronto art scene. A friend of Frances Loring and Florence Wyle, she developed a greater connection with the Group of Seven, working closely with Frederick Varley and producing reliefs of both him and A.Y. Jackson while working in Tom Thomson's shack.

Frances remained focused and positive and became a successful sculptor, creating more than five hundred works of art. Still, even though she achieved the dream she strove toward during all the years of struggle, she discovered that the Dante-like Paradise she had sought and gained was instead the poet's Inferno in disguise. Her correspondence, as referenced in this remarkable biography, bears out this insight in a life often marked by unsatisfying triumph over tragedy. It presents a candid view of one of Canada's most fascinating artists of the twentieth century.

Drawing on exclusive and unprecedented access to David Hockney’s extensive archives, notebooks, and paintings, interviews with family, friends, and on Hockney himself, Christopher Simon Sykes provides a colorful and intimate portrait of one of the most influential artists of the twentieth century.

Born in 1937, David Hockney grew up in a northern English town during the days of postwar austerity. By the time he was ten years old he knew he wanted to be an artist, and after leaving school he went on to study at Bradford Art College and later at the Royal College of Art in London. Bursting onto the scene at the Young Contemporaries exhibition, Hockney was quickly heralded as the golden boy of postwar British art and a leading proponent of pop art. It was during the swinging 60s in London that he befriended many of the seminal cultural figures of the generation and throughout these years Hockney's career grew. Always absorbed in his work, he drew, painted and etched for long hours each day, but it was a scholarship that led him to California, where he painted his iconic series of swimming pools. Since then, the most prestigious galleries across the world have devoted countless shows to his extraordinary work.

In the seventies he expanded his range of projects, including set and costume design for operas and experiments with photography, lithography, and even photocopying. Most recently he has been at the forefront the art world's digital revolution, producing incredible sketches on his iPhone and iPad, and it is this progressive thinking which has highlighted his genius, vigor and versatility as an artist approaching his 75th birthday.

In this, the first volume of Hockney’s biography, detailing his life and work from 1937 - 1975, Sykes explores the fascinating world of the beloved and controversial artist whose career has spanned and epitomized the art movements of the last five decades.

"The timing couldn't be better for this enjoyable and well-sourced book, which — like Hockney's own work — is both conversational and perceptive." —Los Angeles Times

"To read Christopher Simon Sykes' David Hockney is to marvel at the artistic gifts of the eccentric Yorkshireman who rose from a sometimes pinched childhood to hobnob with poet Stephen Spender and novelist Christopher Isherwood, to party with Mick Jagger and Manolo Blahnik." —The Plain Dealer

"Prodigiously entertaining." —Financial Times

“A chatty, knowledgeable, insider's biography, full of anecdotes.” —The Guardian
 

Collected here for the first time in book form are the expurgated sections of artist, writer, and rebel Emily Carr's unpublished journals, her important "Lecture on Totems" about Native art and people, and letters to and from several key figures in her life. The unpublished journal entries include long passages about her first meeting with Sophie Frank, a Squamish basket maker who became a confidante; anguished meditations on her spiritual mission; musings about Native culture and the white community's reaction to it; and thoughts about her sisters and relatives. This collection also features commentary by noted literary historian Susan Crean that offers cultural and historical context.

"Laferriere...writes movingly and cleverly about race, nationality, and, ultimately, the multiple conflicting ways we form our identities. His prose...is deadpan and devious." -- This Magazine

"In his unique fashion, Laferriere captures the spirit of our culture, where cultural boundaries are erased and the real and the unreal intimately coexist." -- National Post

A devilishly intelligent new novel by the internationally bestselling author and Prix Medicis winner.

A black writer from Montreal has found the perfect title for his next book: I Am a Japanese Writer. His publisher gives him an advance on the strength of the title alone. The problem is, he can't seem to write a word of it. He can scarcely summon the energy to put pen to paper, and so he nurses his writer's block by taking long baths, re-reading the works of Japanese poet Basho and engaging in amorous intrigues with rising pop star Midori and her entourage of vampire girls. For the writer, though, the title isn't just a title: he really does believe he is a Japanese writer. He makes this declaration in a mall, and, the next thing he knows, he's an international celebrity. The book becomes a cult phenomenon, even though he still hasn't written a word of it. In Japan, it sets off a cultural revolution. A Japanese writer even publishes a book called I Am a Malagasy Writer. On the nightly news, a Japanese officer declares, "I Am a Korean Soldier." No wonder a pair of attachÈs from the Japanese embassy has been following our hero around. At first, he is delighted to discover his celebrity. But things quickly go wrong. Part postmodern fantasy, part Kafkaesque nightmare and part travelogue to the inner reaches of the self, I Am a Japanese Writer calls into question everything we think we know about what-and who-makes a work of art.