Snakepit - A Novel

A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ?erudite? imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light.

This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction. Also included is a general introduction by the editor, which discusses the features of Italian Renaissance comedy, as well as examines the stage histories of the plays and what little is known, in many cases, of the circumstances surrounding their original performances. The introduction raises questions concerning the nature of audiences, the festival occasions during which the plays were performed, and the academies which sponsored many of their creations.

As a much-needed reappraisal of these comedic plays, Renaissance Comedy is an invaluable look at the performance history of the Renaissance and Italian culture in general.

One summer day in 1897, a young singer, Enrico Caruso, arrives at the home of the Giachetti family. He has come to Livorno to sing on the summer stage with Ada Giachetti, a famous and beautiful soprano. Ada's mother offers him a spare room, and before Ada herself has a chance to meet the unknown tenor, her younger sister, Rina, arrives home from the market and falls fatefully in love.

With the help of singing lessons from Ada, Caruso wins the leading role in Puccini's new opera La Bohème. Although Caruso loves Rina, it is Ada he adores, and they soon become lovers. Heartbroken, Rina becomes an opera singer too, hoping to take her sister's place. For decades, the two sisters are locked in a struggle to be the star on Caruso's stage and in his bed, while Caruso's voice grows more and more unimaginably beautiful.

But as his relations with the two sisters break down in scandal and tragedy, the now world-famous Caruso builds a new life for himself as the star of the Metropolitan Opera in New York. There, far from the drama and passion of Caruso's Tuscan life, a shy young American woman will win his heart and, taking the greatest leap of faith of all, supplant Ada and Rina as his one true love.

The Collected Poems reveals, throughout, the accumulated variety of Reynolds Price's years as a poet -- the thematic breadth, formal steadiness, narrative vitality, and intense lyricism that have marked his work from the start. It is a landmark in a creative life that now includes more than thirty books -- poems, novels, plays, essays, translations -- and in the span of contemporary American verse.

The Wrong Door is the first English-language translation of the complete plays of Italian writer Natalia Ginzburg (1916-1991). Bringing together the eleven plays Ginzburg wrote between 1965 and the months before her death, this volume directs attention to Ginzburg's unique talent as a dramatist.

Ginzburg's plays, like her novels and short stories, are incisive, finely tuned studies of family drama, of the breakdown of relations between the sexes, and of the tribulations of Italian domestic life. The plays showcase Ginzburg's fearless social commentary, her stark and darkly comic observations of Italian life, and her prescient analyses of the socio-economic changes that have transformed modern Italy. Along the way, Ginzburg creates memorable female characters in a series of fascinating roles. In this fluent and faithful translation, Wendell Ricketts highlights Ginzburg's scalpel-sharp dialogue and lays bare the existential absurdities that lie at the heart of her plays.

Including an introduction by the translator and two essays by Ginzburg on her approach to the theatre, The Wrong Door adds a new dimension to the literary portrait of one of Italy's most significant modernist writers.

'Shall I embrace you, must I let you go? Again you haunt me: come then, hold me fast!'

Goethe viewed the writing of poetry as essentially autobiographical and the works selected in this volume represent over sixty years in the life of the poet. In early poems such as 'Prometheus' he rails against religion in an almost ecstatic fervour, while 'To the Moon' is an enigmatic meditation on the end of a love affair. The Roman Elegies show Goethe's use of Classical metres in homage to abcient Rome and its poets, and 'The Diary' , supressed for more than a century, is a narrative poem whose eroticism is unusually combined with its morality.

Arranged chronologically, David Luke's verse translations are set alonjgside the German orginals to give a picture of Goethe's poetic development. This edition also includes an introduction and notes placing the poems in the context of the poet's life and times.