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In Tender Is the Night, Fitzgerald deliberately set out to write the most ambitious and far-reaching novel of his career, experimenting radically with narrative conventions of chronology and point of view and drawing on early breakthroughs in psychiatry to enrich his account of the makeup and breakdown of character and culture.

Tender Is the Night is also the most intensely, even painfully, autobiographical of Fitzgerald's novels; it smolders with a dark, bitter vitality because it is so utterly true. This account of a caring man who disintegrates under the twin strains of his wife's derangement and a lifestyle that gnaws away at his sense of moral values offers an authorial cri de coeur, while Dick Diver's downward spiral into alcoholic dissolution is an eerie portent of Fitzgerald's own fate.

F. Scott Fitzgerald literally put his soul into Tender Is the Night, and the novel's lack of commercial success upon its initial publication in 1934 shattered him. He would die six years later without having published another novel, and without knowing that Tender Is the Night would come to be seen as perhaps its author's most poignant masterpiece. In Mabel Dodge Luhan's words, it raised him to the heights of "a modern Orpheus."

Late in the night of April 14, 1912, the mighty Titanic, a passenger liner traveling from Southampton, England, to New York City, struck an iceberg four hundred miles south of Newfoundland. Its sinking over the next two and a half hours brought the ship—mythological in name and size—one hundred years of infamy.

Of the 2,240 people aboard the ship, 1,517 perished either by drowning or by freezing to death in the frigid North Atlantic waters. What followed the disaster was tantamount to a worldwide outpouring of grief: In New York, Paris, London, and other major cities, people lined the streets and crowded around the offices of the White Star Line, the Titanic’s shipping company, to inquire for news of their loved ones and for details about the lives of some of the famous people of their time.

While many accounts of the Titanic’s voyage focus on the technical or mechanical aspects of why the ship sank, Voyagers of the Titanic follows the stories of the men, women, and children whose lives intersected on the vessel’s fateful last day, covering the full range of first, second, and third class­—from plutocrats and captains of industry to cobblers and tailors looking for a better life in America.

Richard Davenport-Hines delves into the fascinating lives of those who ate, drank, reveled, dreamed, and died aboard the mythic ship: from John Jacob Astor IV, the wealthiest person on board, whose comportment that night was subject to speculation and gossip for years after the event, to Archibald Butt, the much-beloved military aide to Theodore Roosevelt and William Taft, who died helping others into the Titanic’s few lifeboats. With magnificent prose, Voyagers of the Titanic also brings to life the untold stories of the ship’s middle and third classes—clergymen, teachers, hoteliers, engineers, shopkeepers, counterjumpers, and clerks—each of whom had a story that not only illuminates the fascinating ship but also the times in which it sailed. In addition, Davenport-Hines explores the fascinating politics behind the Titanic’s creation, which involved larger-than-life figures such as J. P. Morgan, the ship’s owner, and Lord Pirrie, the ship’s builder.

The memory of this tragedy still remains a part of the American psyche and Voyagers of the Titanic brings that clear night back to us with all of its drama and pathos.

Ostracized as a kid, Edgar Kellogg has always yearned to be popular. A disgruntled New York corporate lawyer, he's more than ready to leave his lucrative career for the excitement and uncertainty of journalism. When he's offered the post of foreign correspondent in a Portuguese backwater that has sprouted a homegrown terrorist movement, Edgar recognizes the disappeared larger-than-life reporter he's been sent to replace, Barrington Saddler, as exactly the outsize character he longs to emulate. Infuriatingly, all his fellow journalists cannot stop talking about their beloved "Bear," who is no longer lighting up their work lives.

Yet all is not as it appears. Os Soldados Ousados de Barba—"The Daring Soldiers of Barba"—have been blowing up the rest of the world for years in order to win independence for a province so dismal, backward, and windblown that you couldn't give the rat hole away. So why, with Barrington vanished, do terrorist incidents claimed by the "SOB" suddenly dry up?

A droll, playful novel, The New Republic addresses weighty issues like terrorism with the deft, tongue-in-cheek touch that is vintage Shriver. It also presses the more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug? What's their secret? And in the end, who has the better life—the admired, or the admirer?

Ever moving, ever changing, stars and planets come and go. Those who watch their movements say, "As is above, so is below."

Astrology—the study of the stars—is said to reveal the truths of the universe. Cooper, Kate, and Annie find this to be alarmingly true, and their progress on the Wiccan path is nearly undone by what the stars tell them.