The Jaguar - A Charlie Hood Novel

Matt Stromsoe has come a long way since his wife and son were killed in an explosion meant for him. Wounded severely in both body and spirit, Stromsoe gave up the last thing that held any meaning for him-his job on the police force-and proceeded to hit rock bottom, hard.

That was a lifetime ago, and finally the spiral of personal destruction and despair seems to have come to an end. The man responsible for the murders-Stromsoe's best friend from childhood and his wife's old lover-is behind bars and Stromsoe has put the past behind him, rescued from the abyss by a former colleague who offers him a job at his private security firm. Stromsoe's first assignment is to protect local television personality Frankie Hatfield from a stalker. But the further Stromsoe is drawn into this case, the more he finds that the net of intrigue is wide and ultimately leads back to the man who killed his family. As events conspire against him, Stromsoe learns that prison is no safeguard against revenge.

T. Jefferson Parker has been hailed as belonging "in the first rank of American crime novelists" (Washington Post Book World) and praised for "some of the finest writing you'll ever read" (Chicago Sun-Times). Superbly crafted, emotionally complex, and filled with heart-stopping action, Storm Runners proves why the novels of T. Jefferson Parker are impossible to resist.

The Orange County, California, that the Becker brothers knew as boys is no more—unrecognizably altered since the afternoon in 1954 when Nick, Clay, David, and Andy rumbled with the lowlife Vonns, while five-year-old Janelle Vonn watched from the sidelines. The new decade has ushered in the era of Johnson, hippies, John Birchers, and LSD. Clay becomes a casualty of a far-off jungle war. Nick becomes a cop, Andy a reporter, David a minister. And a terrible crime touches them all in ways they could never have anticipated when the mutilated corpse of teenage beauty queen Janelle Vonn is discovered in an abandoned warehouse.

A good cop, Robbie Brownlaw was thrown from a sixth-floor window of a downtown hotel and miraculously survived. The traumatic incident left Robbie with a fast-track career in the San Diego P.D.'s Homicide division . . . and a rare neurological condition that enables him to see people's emotional words as colored shapes—green trapezoids of envy, red squares of deception . . .

Another good man lies dead in a blood-splattered Ford Explorer—an ex-cop-turned-ethics investigator whose private life was torn open by unthinkable tragedy. Whether Garrett Asplundh's death was suicide or murder isn't immediately apparent—but it's soon clear to Robbie and his smart, tough partner, McKenzie Cortez, that Garrett had hard evidence of sex, scandal, and corruption spreading deep into local government. But pursuing the truth could prove more emotionally devastating than Robbie ever imagined.

When alcoholic ex-boxer Danny Boy Lorca witnesses a man tortured to death in the desert and reports it, Hack’s investigation leads to the home of Anton Ling, a regal, mysterious Chinese woman whom the locals refer to as La Magdalena and who is known for sheltering illegals. Ling denies having seen the victim or the perpetrators, but there is something in her steely demeanor and aristocratic beauty that compels Hackberry to return to her home again and again as the investigation unfolds. Could it be that the sheriff is so taken in by this creature who reminds him of his deceased wife that he would ignore the possibility that she is just as dangerous as the men she harbors?

The danger in the desert increases tenfold with the return of serial murderer Preacher Jack Collins, whom The New York Times called “one of Burke’s most inspired villains.” Presumed dead at the close of Rain Gods, Preacher Jack has reemerged with a calm, single-minded zeal for killing that is more terrifying than the muzzle flash of his signature machine gun. But this time he and Sheriff Holland have a common enemy.

Praised by Joyce Carol Oates for “the luminosity of his writerly voice,” James Lee Burke returns with his most allegorical novel to date, illuminating vital issues of our time—immigration, energy, religious freedom—with the rich atmosphere and devastatingly flawed, authentic characters that readers have come to celebrate during the five decades of his brilliant career.